2322 : Apocalyps Vie de St Edmond martyr
Number
2322
Shelf Marks
- Huth
Owners before c.1550
- Margaret of York
Commissioners
- Margaret of York ?
- Sovereign: Prince
- Gender : Woman
Country
USA
Ownership Category
Public
Scribe
David Aubert ?
Origin
-
Place
- Region : Flanders
- Towns : Ghent
- Details : Ghent
-
Date
- Date details : c.1475 (c.1475-1479 ?)
- Half centuries : 1450-1499
- Decade : 1470 - 1479
Physical description
Measurements
- 124 leaves
- Size categories of height : 350-374 mm
- Height of text blocks : 362 mm
- Width of text blocks : 265 mm
Illustrations
- Information on the illustrations :
- Total number of illustrations : 78
- Number of miniatures : 78
- Number of historiated initials :
- Number of grisailles :
- Number of drawings :
Miniaturists
- M Moral Treatises
- M Mary of Burgundy (influence)
Material
Parchment
Binding
- Description : modern (brown morocco)
- Dating : Modern binding
Content
Genre
biblical
Authors
/
Translators
/
Contents
- 1 : Apocalyps
- 2 : Vie de St Edmond martyr
Languages
- French
Bibliography
Léon Delaissé, La miniature flamande. Le mécénat de Philippe le Bon, exhib. cat., Brussels-Amsterdam 1959 [also published in Dutch: De gouden eeuw der Vlaamse miniatuur. Het mecenaat van Filips de Goede, 1445-1475, Brussels-Amsterdam 1959], no. 199, Ghent
Antoine De Schryver, ‘De miniatuurkunst te Gent’, Gent. Duizend jaar kunst en cultuur, exhib. cat., Ghent 1975, 323-396, no. 606 (patron: Margaret of York)
Edmund Bowles, Musical Performance in the Late Middle Ages / La pratique musicale au moyen âge, Geneva 1983, no. 077 (f.69)
Georges Dogaer, Flemish Miniature Painting in the 15th and 16th centuries, Amsterdam 1987: M Mary of Burgundy
Richard E.F. Straub, David Aubert, escripvain et clerc (Faux titre. Etudes de langue et littérature françaises, 96), Amsterdam-Atlanta 1995, Section 2.2.4.12
Thomas Kren & Scot McKendrick, with contributions by Maryan W. Ainsworth, Mari-Tere Alvarez, Brigitte Dekeyser, Richard Gay, Elisabeth Morrison & Catherine Reynolds, Illuminating the Renaissance. The Triumph of Flemish Manuscript Painting in Europe, exhib. cat., Los Angeles-London 2003, no. 027
Hanno Wijsman, Luxury Bound. Illustrated Manuscript Production and Noble and Princely Book Ownership in the Burgundian Netherlands (1400-1550), (Burgundica, xvi), Turnhout (Brepols), 2010, p.191
Bernard Bousmanne & Thierry Delcourt (dir.), Ilona Hans-Collas, Pascal Schandel, Céline Van Hoorebeeck & Michiel Verweij (eds.), Miniatures flamandes, 1404-1492, exhib. cat. (Brussels-Paris, 2011-2012), Paris-Brussels, 2011, p. 421
Camille Gaspar & Frédéric Lyna, Les principaux manuscrits à peintures de la Bibliothèque Royale de Belgique, Brussels 1984-1989 [reprint; 1st edition: Paris 1937-1945], vol. III, p. 176
William M Voelkle , Illuminated Manuscripts: Treasures of the Pierpont Morgan Library New York, New York 1998, p. 074, 75 (f.48v, 64)
Thomas Kren (ed.), Margaret of York, Simon Marmion, and the Visions of Tondal. Papers Delivered at a Symposium Organized by the Department of Manuscripts of the J. Paul Getty Museum in Collaboration with the Huntington Library and Art Collections (June 21-24, 1990), Los Angeles 1992: Margaret, no. 3-19
Online Informations and images
See : http://ica.themorgan.org/list